Dragon Ball Super Fan Arts Loli Dragon Ball Super Fan Art

Japanese manga artist and character designer

Akira Toriyama

Akira Toriyama (cropped).jpg

Toriyama at the Shonen Spring launch party, New York (2002)

Born (1955-04-05) April 5, 1955 (age 67)

Nagoya, Aichi, Nippon

Occupation Manga artist, character designer, model designer
Years active 1978–present
Employer Shueisha, Bird Studio

Notable work

  • Dragon Ball
  • Dr. Slump
  • Dragon Quest (character designer)
  • Chrono Trigger (character designer)
  • Blue Dragon (character designer)
Spouse(due south)

Yoshimi Katō

(m. 1982)

Children 2
Awards Shogakukan Manga Accolade (1981)
Signature
Signature of Akira Toriyama.svg

Akira Toriyama (Japanese: 鳥山 明, Hepburn: Toriyama Akira , born April 5, 1955) is a Japanese manga artist and grapheme designer. He first achieved mainstream recognition for his highly successful manga series Dr. Slump, earlier going on to create Dragon Ball (his all-time-known work) and interim equally a grapheme designer for several pop video games such equally the Dragon Quest serial, Chrono Trigger, and Bluish Dragon. Toriyama is regarded as one of the artists that changed the history of manga, equally his works are highly influential and popular, particularly Dragon Ball, which many manga artists cite as a source of inspiration.

He earned the 1981 Shogakukan Manga Honor for best shōnen or shōjo manga with Dr. Slump, and it went on to sell over 35 million copies in Japan. It was adapted into a successful anime series, with a 2nd anime created in 1997, 13 years after the manga ended. His adjacent series, Dragon Brawl, would become ane of the most popular and successful manga in the world. Having sold 250–300 million copies worldwide, it is the third-acknowledged manga of all fourth dimension and is considered to exist 1 of the master reasons for the period when manga circulation was at its highest in the mid-1980s and mid-1990s. Overseas, Dragon Ball 's anime adaptations take been more successful than the manga and are credited with boosting anime'southward popularity in the Western world. In 2019, Toriyama was decorated a Chevalier of the French Ordre des Arts et des Lettres for his contributions to the arts.

Early life [edit]

Akira Toriyama was born in Nagoya, Aichi, Nippon. He has recalled that when he was in elementary school all of his classmates drew, imitating anime and manga, as a result of not having many forms of entertainment.[one] He believes that he began to advance higher up everyone else when he started drawing pictures of his friends, and after winning a prize at the local art studio for a moving-picture show of Ane Hundred and One Dalmatians, began to think "fine art was fun".[1]

His interest in manga began when he read Osamu Tezuka's Astro Boy, which he cited as his original source of inspiration.[two] Along with manga, other formative influences included tokusatsu superhero shows such every bit Ultraman and kaiju monster films such as Godzilla and Gamera.[3] [2] He was also a fan of Hong Kong martial arts films, especially Bruce Lee films such as Enter the Dragon (1973) and Jackie Chan films such as Drunken Master (1978), which went on to have a major influence on his later work.[4] [5] [half dozen] Another piece of work that had an influence on him was the scientific discipline fiction film Alien (1979).[7] He was also a fan of the films Jaws and Star Wars,[3] and the musicians Yellow Magic Orchestra and George Tokoro.[two]

Career [edit]

Early piece of work and Dr. Slump (1975-1984) [edit]

Earlier becoming a manga artist, he worked at an advert agency in Nagoya designing posters for three years.[eight] Later on quitting his previous chore, Toriyama entered the manga industry by submitting a work to an amateur contest in a Jump magazine in order to win the prize money.[9] While information technology did non win, Kazuhiko Torishima, who would after go his editor, contacted him and gave him encouragement.[10] His debut came later in 1978 with the story Wonder Island, which was published in Weekly Shōnen Jump.

Toriyama would ascension to popularity with the comedy series Dr. Slump, which was serialized in Weekly Shōnen Spring from 1980 to 1984. It follows the adventures of a perverted professor and his pocket-sized but super-strong robot Arale.[eleven] He began the series at historic period 25 while living at home with his parents, just when the serial ended in 1984 he was a "manga superstar".[eleven] In 1981, Dr. Slump earned him the Shogakukan Manga Award for best shōnen or shōjo manga series of the year.[12] An anime adaptation began airing that same year, during the prime time Wednesday 19:00 slot on Fuji TV. Adaptations of Toriyama'southward work would occupy this time slot continuously for 18 years—through Dr. Slump 's original run, Dragon Ball and its 2 sequels, and finally a rebooted Dr. Slump concluding in 1999. By 2008, the Dr. Slump manga had sold over 35 1000000 copies in Japan.[13]

An official Toriyama fan lodge Akira Toriyama Hozonkai ( 鳥山明保存会 , "Akira Toriyama Preservation Society") was established in 1982. Its newsletters were called Bird Land Press and were sent to members until the club closed in 1987.[14] Toriyama's founded Bird studio in the early 1980s,[15] which is a play on his name; "tori" ( ) meaning "bird". He began employing an banana, mostly to work on backgrounds.

Dragon Ball and international success (1984-1995) [edit]

In 1984, Weekly Shōnen Jump began serializing Toriyama's Dragon Ball, which became an instant hit. As of 2014, it had sold 159.5meg tankōbon copies in Japan alone,[16] making information technology Shueisha's 2nd best-selling manga of all time.[17] It began every bit an adventure/gag manga but after turned into a martial arts fighting series, considered past many to be the "nigh influential shōnen manga."[11] Dragon Ball was one of the chief reasons for the mag'south circulation hitting a record loftier of six.53 million copies (1995).[eighteen] [19] The series' success encouraged Toriyama to continue working on information technology from 1984 to 1995. At the serial' finish, Toriyama said that he asked anybody involved to let him end the manga, so he could "take some new steps in life."[20] During that 11-year period, he produced 519 chapters that were collected into 42 volumes. Moreover, the success of the manga led to five anime adaptations, several animated movies, numerous video games, and mega-merchandising. Bated from its popularity in Japan, Dragon Brawl was successful internationally as well, including Asia, Europe, and the Americas, with 250–300million copies of the manga sold worldwide.

While Toriyama was serializing Dragon Ball weekly, Torishima recruited him to work as character designer for the 1986 function-playing video game Dragon Quest. The artist admitted he was pulled into it without even knowing what an RPG was and that it made his already decorated schedule even more hectic, but he was happy to accept been a part afterward enjoying the finished game.[21] Toriyama has continued to work on every installment in the Dragon Quest serial. He has also served as the character designer for the Super Famicom RPG Chrono Trigger and for the fighting games Tobal No. 1 and Tobal two for the PlayStation.[22]

Brusk stories and other projects (1996-2011) [edit]

A tertiary anime adaptation based on Dragon Ball- entitled GT began airing in 1996, though this was non based on Toriyama'south manga direct. Toriyama was still all the same involved in some overarching elements, including the name of the series and designs for the main cast.[23] Toriyama continued drawing manga in this period, predominantly 1-shots and short (100–200-page) pieces, including Cowa!, Kajika, and Sand Land. On December 6, 2002, Toriyama made his but promotional appearance in the United States at the launch of Weekly Shōnen Bound 's North American counterpart, Shonen Jump, in New York Metropolis.[24] Toriyama's Dragon Ball and Sand Land were published in the magazine in the commencement issue, which also included an in-depth interview with him.[25]

On March 27, 2005, CQ Motors began selling an electric car designed by Toriyama.[26] The ane-person QVOLT is part of the visitor's Choro-Q series of small-scale electric cars, with only 9 being produced. It costed i,990,000 yen (about $19,000 United states), has a top speed of thirty km/h (19 mph) and was available in v colors.[26] Toriyama stated that the auto took over a year to blueprint, "only due to my genius mini-model construction skills, I finally arrived at the cease of what was a very emotional journey."[26]

He worked on a 2006 i-shot called Cross Epoch, in cooperation with 1 Slice creator Eiichiro Oda. The story is a short crossover that presents characters from both Dragon Brawl and One Piece. Toriyama was the character designer and creative person for the 2006 Mistwalker Xbox 360 exclusive RPG Bluish Dragon, working with Hironobu Sakaguchi and Nobuo Uematsu, both of whom he had previously worked with on Chrono Trigger.[27] At the time, Toriyama considered Bluish Dragon to potentially be his terminal piece of work in anime.

The offer to directly an blithe version of Blue Dragon came in February of terminal year [2006]. Studio Pierrot approached me regarding it. I knew that Sakaguchi had been working on assembling staff to produce a game, although at the fourth dimension Blue Dragon hadn't yet been formally announced. According to the materials, it was to be a fantasy world like Lord of the Rings, with a detailed earth view and story. This may be my final anime, I'g a little worried (nearly it). At that place's incredible pressure, but at the same time, in that location's a sense of accomplishment – that it's worth doing. Bluish Dragon will exist a masterpiece, not simply considering I'm working hard on it, but because the staff is expecting nothing less.[28]

In 2008, he collaborated with Masakazu Katsura, his good friend and creator of I"s and Zetman, for the Jump SQ one-shot Sachie-chan Proficient!!.[29] [30] Information technology was later published in North America in the gratis SJ Blastoff Yearbook 2013, which was mailed out to almanac subscribers of the digital manga magazine Shonen Jump Alpha in December 2012. The ii worked together over again in 2009, for the three-chapter one-shot Jiya in Weekly Young Jump.[31]

An American live action picture accommodation of Dragon Ball released in 2009, entitled Dragonball Evolution which have no involvement with Toriyama, Toei, and Funimation and the film failed both critically and financially. Avex Trax deputed Toriyama to draw a portrait of pop vocaliser Ayumi Hamasaki; it was printed on the CD of her 2009 single "Rule/Sparkle", which was used as the theme vocal to the motion-picture show.[32]

Toriyama drew a 2009 manga titled Succulent Island'south Mr. U for Anjō's Rural Gild Project, a nonprofit environmental organization that teaches the importance of agriculture and nature to young children.[33] They originally asked him to practise the illustrations for a pamphlet, merely Toriyama liked the project and decided to expand it into a story. Information technology is included in a booklet about environmental sensation that is distributed by the Anjō city authorities.[33] As part of Weekly Shōnen Leap 'due south "Top of the Super Legend" project, a series of six 1-shots by famed Jump artists, Toriyama created Kintoki for its Nov 15, 2010 consequence.[34] He collaborated with Weekly Shōnen Spring to create a video to enhance awareness and support for those affected by the 2011 Tōhoku earthquake and tsunami on March 11, 2011.[35]

Render to Dragon Ball: 2012–present [edit]

In 2012, Dragon Brawl Z: Boxing of Gods was announced to be in development, with Toriyama involved in its design. The picture marked the serial' first theatrical film in 17 years, and the commencement time Toriyama had been involved in an anime project as early as the screenwriting stages.[36] The film opened on March 30, 2013. A special "dual ticket" that could be used to run into both Battle of Gods and I Piece Moving picture: Z was created with new art by both Toriyama and Eiichiro Oda.[37]

On March 27, the "Akira Toriyama: The World of Dragon Ball" showroom opened at the Takashimaya department shop in Nihonbashi, garnering 72,000 visitors in its first xix days.[38] [39] The exhibit is separated into seven areas. The offset provides a look at the series' history, the 2nd shows the 400-plus characters from the series, the tertiary displays Toriyama's manga manuscripts from memorable scenes, the fourth shows special color illustrations, the 5th displays rare Dragon Ball-related materials, the sixth includes design sketches and animation cels from the anime, and the seventh screens Dragon Ball-related videos.[38] It was in that location until Apr xv, when information technology moved to Osaka from April 17 to 23, and concluded in Toriyama's native Nagoya from July 27 to September 1.[38]

To celebrate the 45th anniversary of Weekly Shōnen Jump, Toriyama launched a new series in its July 13, 2013 issue titled Jaco the Galactic Patrolman.[forty] Viz Media began serializing it in English in their digital Weekly Shonen Jump magazine, beginning just two days later.[41] The last chapter reveals that the story is fix earlier the events of Dragon Ball and features some of its characters.

The follow-upward picture to Battle of Gods, Resurrection 'F', released on Apr 18, 2015, features even more contributions from Toriyama, who personally wrote its original script.[42] Toriyama provides the basic story outline and some character designs for Dragon Brawl Super, which began serialization in Five Jump in June 2015 with an anime counterpart post-obit in July. Although the anime concluded in 2018, he continues to provide story ideas for the manga while Toyotarou illustrates it.[43] Dragon Ball Super: Broly, released in theaters on Dec 14, 2018, continued Toriyama's deep involvement with the films.[44]

Personal life [edit]

Toriyama married Yoshimi Katō ( 加藤由美 ) on May 2, 1982.[45] [46] She is a former manga artist from Nagoya nether the pen proper name "Nachi Mikami" ( みかみなち ),[9] and occasionally helped Toriyama and his banana on Dr. Slump when they were short on fourth dimension.[47] They take 2 children: a son named Sasuke ( 佐助 ) built-in on March 23, 1987,[48] and a girl born in October 1990.[49] Toriyama lives in his habitation studio in Kiyosu.[15] He is a well-known recluse, who avoids actualization in public or media.[50] [51] [52]

Toriyama has a honey of cars and motorcycles, something he inherited from his father who used to race motorbikes and operated an machine repair business organization for a brief time, although he does not understand the mechanics himself.[53] The author is an creature lover, having kept many unlike species of birds, dogs, cats, fish, lizards, and bugs as pets since childhood.[53] Some were used as models for characters he created such as Karin and Beerus. Toriyama has had a lifelong passion for plastic models,[53] and has designed several for the Fine Molds brand. He also collected autographs of famous manga artists, having over 30 including Yudetamago and Hisashi Eguchi, a hobby he gave to Peasuke Soramame.[viii] [54]

Style [edit]

Toriyama admires Osamu Tezuka's Astro Male child and was impressed by Walt Disney's One Hundred and I Dalmatians, which he remembers for its loftier-quality animation.[x] [55] Jackie Chan's early movies also had a noticeable influence on his stories, specially Chan's martial arts comedy picture Drunken Master.[x] [56] Toriyama stated he was influenced past animator Toyoo Ashida and the anime television serial adaptation of his own Dragon Brawl; from which he learned that separating colors instead of blending them makes the art cleaner and coloring illustrations easier.[55] It was Toriyama'south sound furnishings in Mysterious Rain Jack that caught the middle of Kazuhiko Torishima, who explained that usually they are written in katakana, merely Toriyama used the Roman alphabet which he found refreshing.[57] In his opinion, Torishima stated that Toriyama excels in black and white, utilizing black areas, as a result of not having had the money to buy screentone when he started drawing manga.[57] He as well described Toriyama as a master of convenience and "sloppy, but in a good way." For instance, in Dragon Ball, destroying scenery in the surround and giving Super Saiyans blond hair were done in gild to have less work in drawing and inking. Torishima claimed that Toriyama draws what he finds interesting and is not mindful of what his readers think.[58]

Dr. Slump is mainly a comedy series, filled with puns, toilet humor, and sexual innuendos. But it also contained many science fiction elements: aliens, anthropomorphic characters, time travel, and parodies of works such equally Godzilla, Star Wars, and Star Expedition.[eleven] Toriyama also included many real-life people in the serial, such as his administration, wife, and colleagues (such as Masakazu Katsura), merely most notably his editor Kazuhiko Torishima as the series' principal antagonist, Dr. Mashirito.[11] [59] A running gag in Dr. Slump that utilizes feces has been reported as an inspiration for the Pile of Poo emoji.[60] [61]

When Dragon Ball began, information technology was loosely based on the classic Chinese novel Journey to the West,[62] [63] with Goku being Sun Wukong and Bulma equally Tang Sanzang. It was besides inspired by Hong Kong martial arts films,[64] particularly those of Jackie Chan,[65] and was set in a fictional globe based on Asia, taking inspiration from several Asian cultures including Japanese, Chinese, Indian, Central Asian, Arabic, and Indonesian cultures.[66] [67] Toriyama continued to utilise his characteristic comedic fashion in the kickoff, just over the course of time this slowly changed, with him turning the serial into a "about-pure fighting manga" subsequently on.[11] He did not programme out in accelerate what would happen in the series, instead choosing to draw as he went. This, coupled with him just forgetting things he had already drawn, acquired him to find himself in situations that he had to write himself out of.[68]

Toriyama was commissioned to illustrate the characters and monsters for the starting time Dragon Quest video game (1986) in social club to split up information technology from other function-playing games of the time.[69] He has since worked on every installment in the series. For each game Yuji Horii first sends rough sketches of the characters with their background information to Toriyama, who and then re-draws them. Lastly, Horii approves the finished piece of work.[lxx] [71] Toriyama explained in 1995 that for video games, because the sprites are so modest, as long equally they have a distinguishing characteristic and then people can tell which character it is, he can make complex designs without concern of having to reproduce it like he usually would in manga.[72] Besides the character and monster designs, Toriyama also does the games' packaging art and, for Dragon Quest VIII, the boats and ships.[71] In 2016, Toriyama revealed that because of the series' established time flow and setting, his creative options are limited, which makes every iteration harder to design for than the last.[51] The series' Slime character, which has become a mascot for the franchise, is considered to be one of the most recognizable figures in gaming.[73]

Manga critic Jason Thompson alleged Toriyama's art influential, saying that his "extremely personal and recognizable style" was a reason for Dragon Ball's popularity.[11] He points out that the popular shōnen manga of the late 1980s and early on 1990s had "manly" heroes, such as Metropolis Hunter and Fist of the Northward Star, whereas Dragon Ball starred the cartoonish and modest Goku, thus starting a tendency that Thompson says continues to this day.[11] Toriyama himself said he went against the normal convention that the strongest characters should exist the largest in terms of physical size, designing many of the series' nigh powerful characters with small statures.[74] Thompson concluded his assay by saying that only Akira Toriyama drew similar this at the time and that Dragon Ball is "an action manga drawn by a gag manga artist."[eleven] However, James S. Yadao, author of The Rough Guide to Manga, points out that an art shift does occur in the serial, equally the characters gradually "lose the rounded, innocent look that [Toriyama] established in Dr. Slump and gain sharper angles that leap off the page with their free energy and intensity."[75]

Legacy and accolades [edit]

"The role of my manga is to be a work of amusement through and through. I dare say I don't care fifty-fifty if [my works] take left null behind, as long every bit they accept entertained their readers."

 —Akira Toriyama, 2013[76]

Thompson stated in 2011 that "Dragon Ball is by far the virtually influential shonen manga of the terminal 30 years, and today, about every Shōnen Spring artist lists information technology every bit one of their favorites and lifts from information technology in various means."[11] David Brothers of ComicsAlliance wrote that: "Like Osamu Tezuka and Jack Kirby before him, Toriyama created a story with his own two easily that seeped deep into the hearts of his readers, creating a beloved for both the cast and the medium at the aforementioned time."[77] In a rare 2013 interview, commenting on Dragon Ball 's global success, Toriyama admitted, "Frankly, I don't quite sympathise why information technology happened. While the manga was existence serialized, the only thing I wanted every bit I kept drawing was to make Japanese boys happy."[76] Many artists take named Toriyama and Dragon Brawl every bit influences, including 1 Piece author Eiichiro Oda,[78] Naruto creator Masashi Kishimoto,[79] Fairy Tail and Rave author Hiro Mashima,[80] Boruto: Naruto Side by side Generations illustrator Mikio Ikemoto,[81] Venus Versus Virus writer Atsushi Suzumi,[82] Bleach creator Tite Kubo, Black Cat author Kentaro Yabuki, and Mr. Fullswing author Shinya Suzuki.[83] German language comic book artist Hans Steinbach was strongly influenced by Toriyama,[84] and Thai cartoonist Wisut Ponnimit cited Toriyama equally i of his favorite cartoonists.[85] Ian Jones-Quartey, a producer of the American animated series Steven Universe, is a fan of both Dragon Brawl and Dr. Slump, and uses Toriyama's vehicle designs equally reference for his own. He also stated that "We're all big Toriyama fans on [Steven Universe], which kind of shows a scrap."[86]

In 2008, Oricon conducted a poll of people's favorite manga artists, with Toriyama coming in 2nd, behind but Nana writer Ai Yazawa. However, he was number one amongst male respondents and among those over 30 years of age.[87] They held a poll on the Mangaka that Changed the History of Manga in 2010, mangaka being the Japanese word for a manga artist. Toriyama came in second, after just Osamu Tezuka, due to his works beingness highly influential and popular worldwide.[88] Toriyama won the Special 40th Anniversary Festival Award at the 2013 Angoulême International Comics Festival, honoring his years in cartooning.[89] [ninety] He really received the well-nigh votes for the festival's One thousand Prix de la ville d'Angoulême laurels that year; however, the choice committee chose Willem as the recipient.[91] In a 2014 NTT Docomo poll for the manga artist that all-time represents Japan, Toriyama came in third identify.[92] Toriyama was decorated a Chevalier or "Knight" of the Ordre des Arts et des Lettres by the French government on May xxx, 2019 for his contributions to the arts.[50] [93] He was too a 2019 nominee for entry into the Will Eisner Hall of Fame.[94] Due to his video game design work, IGN named Toriyama number 74 on their list of the Tiptop 100 Game Creators of All Fourth dimension.[22]

Works [edit]

Manga [edit]

Proper name Twelvemonth Notes Ref.
Awawa Globe ( あわわワールド , Awawa Wārudo ) 1977 Unpublished, submission for Monthly Young Jump Award. Printed in 1983 in Toriyama's fan lodge newsletter, Bird State Press # 5 & 6.
Mysterious Rain Jack ( 謎のレインジャック , Nazo no Rein Jakku ) 1978 Unpublished, submission for Monthly Young Leap Honor. Printed in 1982 in Toriyama'south fan club newsletter, Bird State Printing # 3 & 4.
Wonder Isle ( ワンダー・アイランド , Wandā Airando ) 1978 One-shot in Weekly Shōnen Jump 1978 #52
Wonder Island 2 ( ワンダー・アイランド2 , Wandā Airando Tsū ) 1978 One-shot in Weekly Shōnen Bound January 1979 Special Result
Today'due south Highlight Island ( 本日のハイライ島 , Honjitsu no Hairai-tō ) 1979 Ane-shot in Weekly Shōnen Jump April Special Effect
Tomato the Cutesy Gumshoe ( ギャル刑事トマト , Gyaru Deka Love apple ) 1979 One-shot in Weekly Shōnen Bound August Special Issue
Dr. Slump ( Dr. スランプ , Dokutā Suranpu ) 1980–1984 236 chapters in Weekly Shōnen Bound 1980 #v/6 - 1984 #39, assembled into 18 tankōbon, reassembled into 9 aizoban in 1990, 9 bunkoban in 1995, and 15 kanzenban in 2006
Pola & Roid 1981 I-shot in Weekly Shōnen Jump 1981 #17; Toriyama'south winning entry in the 1981 Reader's Choice contest
Escape 1981 One-shot in Weekly Shōnen Leap January 1982 Special Issue
Mad Matic 1982 One-shot in Weekly Shōnen Jump 1982 #12; Toriyama'southward entry in the 1982 Reader's Option contest
Pink 1982 One-shot in Fresh Jump December 1982 effect
Hetappi Manga Kenkyūjo 1982–1984 one tankōbon originally serialized in Fresh Jump, cartoon lesson co-authored with Akira Sakuma
Chobit 1983 One-shot in Weekly Shōnen Leap; Toriyama's entry in the 1983 Reader's Choice competition
Chobit 2 1983 One-shot in Fresh Spring June 1983 upshot
Dragon Male child ( 騎竜少年 , Doragon Bōi ) 1983 2 one-shots in Fresh Jump Baronial and Oct 1983 issues
The Adventure of Tongpoo ( トンプー大冒険 , Tonpū Dai Bōken ) 1983 One-shot in Weekly Shōnen Jump
Akira Toriyama's Manga Theater Vol.1 1983 one tankōbon, collects previously published one-shots
Dragon Ball 1984–1995 519 chapters and one extra chapter in Weekly Shōnen Jump 1984 #51 - 1995 #25, compiled into 42 tankōbon, reassembled into 34 kanzenban in 2002 with an altered ending, and eighteen sōshūhen in 2016
Mr. Ho ( Mr.ホー ) 1986 One-shot in Weekly Shōnen Jump 1986 #49
Lady Red 1987 One-shot in Super Jump #ii
Young Primary Ken'nosuke ( 剣之介さま , Kennosuke-sama ) 1987 I-shot in Weekly Shōnen Jump 1987 #38
The Elder ( そんちょう , Sonchoh ) 1987 One-shot in Weekly Shōnen Jump 1988 #5
Little Mamejiro ( 豆次郎くん , Mamejirō-kun ) 1988 One-shot in Weekly Shōnen Jump
Akira Toriyama's Manga Theater Vol.2 1988 ane tankōbon, collects previously published i-shots
Karamaru and the Perfect Mean solar day ( 空丸くん日本晴れ , Karamaru-kun Nihonbare ) 1989 One-shot in Weekly Shōnen Jump
Rocky 1989 Four-page ane-shot in Dōjinshi ( 動じん誌 ), a doujinshi by manga artist Neko Jyu Jisha that collects works by different artists. [95]
Wolf 1990 I-shot, published in the art volume Akira Toriyama: The World
Soldier of Savings Cashman ( 貯金戦士 CASHMAN , Chokin Senshi Kyasshuman ) 1990–1991 iii one-shots in V Jump
Dub & Peter one 1992–1993 4 ane-shots in Five Spring
Become! Go! Ackman 1993–1994 11 i-shots in V Jump
Alien X-Peke ( 宇宙人ペケ , Uchūjin Peke ) 1996 Two chapters in Weekly Shōnen Bound
Tokimecha 1996–1997 3 chapters in Weekly Shōnen Jump
Bubul and the Majin Village ( 魔人村のBUBUL , Majin Mura no Bubul ) 1997 I-shot in Weekly Shōnen Jump 1997 #22/23; Toriyama's winning entry in the revived Jump Readers' Cup '97 competition [96]
Akira Toriyama's Manga Theater Vol.3 1997 ane tankōbon, collects previously published i-shots
Cowa! 1997–1998 14 chapters serialized in Weekly Shōnen Bound, collected in 1 tankōbon
Kajika 1998 12 chapters serialized in Weekly Shōnen Jump, collected in i tankōbon
Mahimahi the Lungfish ( ハイギョのマヒマヒ , Haigyo no Mahimahi ) 1999 One-shot in Weekly Shōnen Leap [97]
Neko Majin 1999–2005 3 one-shots in Weekly Shōnen Jump and 5 one-shots in Monthly Shōnen Jump, collected into one kanzenban
Hyowtam ( ヒョータム , Hyōtamu ) 2000 Ane-shot drawn entirely on a computer for E-Spring, a special edition of Weekly Shōnen Bound focusing on electronics.
Sand Land 2000 14 chapters serialized in Weekly Shōnen Leap, nerveless into i tankōbon
This is the Police Station in forepart of Dragon Park on Planet Namek ( こちらナメック星ドラゴン公園前派出所 , Kochira Namekku-sei Dragon Kōen-mae Hashutsujo ) 2006 1 chapter of Super Kochikame ( 超こち亀 , Chō Kochikame ), Kochira Katsushika-ku Kameari Kōen-mae Hashutsujo and Dragon Ball crossover with Osamu Akimoto for 30th anniversary of Kochikame.
Cross Epoch 2006 One-shot in Weekly Shōnen Jump, Dragon Ball and I Piece crossover with Eiichiro Oda
Dr. Mashirito – Abale-chan ( MedicoMASHIRITO ABALEちゃん ) 2007 One-shot in Monthly Shōnen Jump [98]
Sachie-chan Skillful!! ( さちえちゃんグー!! , Sachie-chan Gū!! ) 2008 One-shot in Bound SQ, art past Masakazu Katsura
Delicious Isle's Mr. U ( おいしい島のウーさま , Oishii Shima no Ū-sama ) 2009 One-shot in the pamphlet Saishū Senryaku Biosphere ( 最終戦略 バイオスフィア ) for 2030 Magazine
Jiya ( JIYA -ジヤ- ) 2009–2010 3 chapters in Weekly Immature Leap, art by Masakazu Katsura
Kintoki ( KINTOKI-金目族のトキ- , Kintoki - Kinmezoku no Toki ) 2010 One-shot in Weekly Shōnen Spring
Jaco the Galactic Patrolman 2013 eleven capacity serialized in Weekly Shōnen Jump, collected into ane tankōbon
Dragon Ball Super 2015–present Currently serialized in Five Jump, art by Toyotarou, collected into 9 tankōbon

Art books [edit]

  • Akira Toriyama: The World ( 鳥山明 the world , Jan x, 1990)
  • Akira Toriyama: The World Special ( 鳥山明 THE WORLD SPECIAL , September xix, 1990)
  • The World of Akira Toriyama: Akira Toriyama Exhibition ( 鳥山明の世界 AKIRA TORIYAMA EXHIBITION , 1993)
  • Dragon Ball Daizenshu: The Complete Illustrations ( ドラゴンボール大全集1 Complete ILLUSTRATIONS , Nippon: June 20, 1995; Due north America: October 21, 2008)
  • Dragon Quest Monsters: Akira Toriyama Illustrations ( ドラゴンクエストモンスターズ 鳥山明イラストレーションズ , December 18, 1996)
  • Dragon Quest 25th Ceremony Monster Encyclopedia ( ドラゴンクエスト25thアニバーサリー モンスター大図鑑 , May 31, 2012)
  • Dragon Brawl: A Visual History ( ドラゴンボール超画集 , Japan: May 9, 2013; North America: November 12, 2019)
  • Akira Toriyama: Dragon Quest Illustrations ( 鳥山明 ドラゴンクエスト イラストレーションズ , Japan: May 27, 2016; North America: December 11, 2018)

Anime [edit]

  • Dr. Slump – Arale-chan (1981–1986, television series) – original concept, based on his manga Dr. Slump
  • Crusher Joe (1983, motion picture) – designed the MAX 310 space station[99]
  • Dragon Ball (1986–1989, television series) – original concept, based on the first half of his manga Dragon Ball
  • Kosuke & Rikimaru: The Dragon of Konpei Island ( 小助さま力丸さま -コンペイ島の竜- , 1988, movie) – original concept, script and character designs
  • Dragon Quest (1989–1991, television series) – original grapheme designs
  • Dragon Ball Z (1989–1996, idiot box serial) – original concept, based on the second half of Dragon Ball, title
  • Pink: H2o Brigand, Pelting Bandit ( Pinkish みずドロボウあめドロボウ , Pinku Mizu Dorobō Ame Dorobō , 1990, movie) – original concept, based on his manga Pinkish
  • Kennosuke-sama ( 剣之介さま , 1990, motion picture) – original concept, based on his manga of the same name
  • Become! Get! Ackman (1994, film) – original concept, based on his manga of the same name
  • Imagination Science World Gulliver Boy (1995, television series) – mechanical designs
  • Dragon Ball GT (1996–1997, tv set series) – graphic symbol designs, title and logo
  • Physician Slump (1997–1999, television series) – original concept, based on Dr. Slump
  • Dr. Slump: Dr. Mashirito – Abale-chan ( Dr.SLUMP Docマシリト アバレちゃん , Dokutā Suranpu: Dr. Mashirito Abare-chan , 2007, short film) – based on his manga of the same name
  • Bluish Dragon (2007–2008, idiot box series) – original character designs
  • Dragon Ball: Yo! Son Goku and His Friends Return!! (2008, short film) – original concept, story concept
  • Dragon Ball Kai (2009–2011, 2014–2015, television series) – original concept, based on the second half of Dragon Ball.
  • Dragon Ball Z: Battle of Gods (2013, film) - original concept, story concept and character designs
  • Dragon Ball Z: Resurrection 'F' (2015, film) - original concept, screenplay, character designs and title
  • Dragon Ball Super (2015–2018, tv serial) – original concept, story concepts, character designs and title
  • Dragon Ball Super: Broly (2018, film) - original concept, screenplay, character designs
  • Dragon Ball Super: Super Hero (2022, film) - original concept, screenplay, character designs

Video games [edit]

  • Dragon Quest series (1986–present) – character designs
  • Dragon Ball: Shenlong no Nazo (1986) – designed several characters including Kuririan ( クリリアン ) [100]
  • Famicom Jump Ii: Saikyō no Shichinin (1991) – designed the character Dark Raid ( ダークレイド )
  • Chrono Trigger (1995) – character and setting designs. Alongside Toei Animation, he and his studio also created the animated cutscenes for the 1999 PlayStation port.
  • Tobal No. 1 (1996) – character designs
  • Tobal 2 (1997) – character designs
  • Blue Dragon (2006) – character designs
  • Blueish Dragon Plus (2008) – grapheme designs
  • Blue Dragon: Awakened Shadow (2009) – grapheme designs and voices the grapheme Toripo, which is modeled subsequently his "Toribot" self-insert
  • Chōsoku Henkei Gyrozetter (2012) – designed the Beeman 500SS character[101]
  • Dragon Ball FighterZ (2018) – designed the character Android 21
  • Dragon Ball Legends (2018) – designed the characters Shallot ( シャロット , Sharotto ) and Zahha ( ザッハ ) [102]
  • Jump Force (2019) – designed several original characters
  • Dragon Ball Z: Kakarot (2020) – designed the graphic symbol Bonyū

Shueisha [edit]

  • Weekly Shōnen Leap (1988) – designed the magazine's 20th anniversary character Captain Gyao ( キャプテンギャオ ), who later appeared in the video game Famicom Bound: Hero Retsuden [103]
  • V Spring (1990) – designed the magazine'south V Dragon ( V龍 ) character,[104] who afterward appeared in the video games Dragon Quest 10 (2012),[105] Gaist Crusher (2013), and Monster Strike (2014).[106]
  • Weekly Leap F-ane Club (1990) – designed the Weekly Shōnen Spring column's mascot grapheme Wins-kun ( ウインズくん ) [107]
  • V-Internet (1994) – designed the Weekly Shōnen Spring column'due south mascot characters Dr. Tobo ( Doctorトボ ) and Happy 1 ( ハッピー1 ) [108] [109]
  • Souvenirs entomologiques (Jean-Henri Fabre book, 1996) – comprehend illustrations for the Shueisha Bunko edition of the Japanese translation[110]
  • Shueisha (2002) – designed the Rīdon ( リードン ) graphic symbol for the 25th anniversary of Shueisha Bunko[111]
  • Dragon Ball Damashii ( DB魂 , 2004) – designed the V Bound cavalcade's logo[112]
  • Jump Store (2005) – designed the Weekly Shōnen Leap online shop'south Janta ( ジャンタ ) character[113]
  • Weekly Shōnen Jump (2009) – designed the magazine'southward website'south Kaizo-kun ( KAIZOくん ) character[114]
  • My Jump (2016) – designed the mobile app's Mai ( マイ ) and Honbot ( ホンボット ) characters[115]

Other work [edit]

  • Fuel Anthology (George Tokoro album, 1981) – insert analogy[116]
  • "Fire! Staff Tripper" ( 燃えよ!フトリッパー , Akira Sakuma single, 1982) – album cover
  • Polkadot Magic (Mami Koyama album, 1984) – album cover, lyrics to "Crilla" and "Helicopter"[117]
  • Higashiyama Zoo and Botanical Gardens (1984) – designed the logo for the zoo's koala showroom[118]
  • Fine Molds (1985) – illustrated the package and instructions for the Lisa model[119]
  • Dakara Bike Daisuki! ( だからバイク大好き! , Haruka Takachiho book, 1986) – cover illustration[120]
  • Apple Pop ( アップルポップ , short film shown on Hirake Ponkikki TV evidence, 1988) – character designs
  • Fine Molds (1991) – designed the model maker'south mascot Goshikiken ( 五式犬 ) [121]
  • Super Sense Story (Honda road condom brochure, 1991) – character designs[122]
  • Fine Molds (1994) – designed seven of their Earth Fighter Collection line of models, their packaging and instructions[123]
  • Bitch's Life Illustration File (art book, 2001) – illustration[124]
  • Toccio the Angel ( てんしのトッチオ , Tenshi no Totchio , children'south book, 2003) – wrote and illustrated the book[125]
  • QVOLT (electrical car, 2005) – designed the automobile
  • "Rule/Sparkle" (Ayumi Hamasaki single, 2006) – an illustration of Ayumi Hamasaki as Son Goku printed on the single's CD and DVD
  • Ichigo Dōmei ( 苺同盟 , Chiaki volume, 2007) – an analogy of Chiaki for the cover[126]
  • Invade (Jealkb album, 2011) – album cover[127]
  • Journeying to the Westward: Acquisition the Demons (2014) – an illustration of Sun Wukong for a poster for the motion picture's Japanese release[128]

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Further reading [edit]

  • Richard, Olivier (2011). Akira Toriyama: le maître du manga (in French). 12 bis. ISBN978-2-35648-332-four.

External links [edit]

  • Akira Toriyama at Anime News Network's encyclopedia
  • Akira Toriyama contour on MobyGames
  • Akira Toriyama's World timeline of works (in Japanese)

ludwickbeadere.blogspot.com

Source: https://en.wikipedia.org/wiki/Akira_Toriyama

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